Art
Mehran Houshiar
Abstract
Writing and introducing university resources to improve the academic level of students is one of the most important tasks of university teachers. Meanwhile, disciplines such as handicrafts and Islamic arts, which were approved by the Cultural Revolution Council after the revolution as a discipline appropriate ...
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Writing and introducing university resources to improve the academic level of students is one of the most important tasks of university teachers. Meanwhile, disciplines such as handicrafts and Islamic arts, which were approved by the Cultural Revolution Council after the revolution as a discipline appropriate to Iranian-Islamic culture, have felt this shortcoming more than other disciplines of humanities and arts. Over the last two decades, some professors, in sporadic activities without comprehensive supervision, have written educational texts and books to alleviate some of the burden of this problem. In the meantime, scientific critique and analysis of textbooks will be one of the effective ways to guide the writing of authentic, credible and acceptable sources.In this article, an attempt is made to introduce the book "Introduction to Traditional Arts (3)" and to critique it in terms of its formal structure and content analysis. The result of this critical view shows that inattention to new research methods, carelessness in the method of writing, repetition of content based on previous texts and similar sources, and finally a superficial look at concepts that require an approach based on Content analysis, does not place this book for students to use in the field of authoritative academic resources.
Art
Mehran Houshiar
Abstract
Explaining the basics and knowing the alphabet of each phenomenon is necessary to understand the concepts, content foundations, and existential philosophy. This is especially important in the field of humanities and has been considered by contemporary thinkers. Due to its geographical extent and semantic ...
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Explaining the basics and knowing the alphabet of each phenomenon is necessary to understand the concepts, content foundations, and existential philosophy. This is especially important in the field of humanities and has been considered by contemporary thinkers. Due to its geographical extent and semantic values, Islamic art has certain theoretical and practical principles that are very similar to the basis of traditional arts. The compiler of the book "Theoretical Foundations" has tried to explain the principles, principles and concepts of this art by combining the knowledge and opinion of experts and researchers active in various fields of Islamic art into a credible and valid scientific text. In this article, while introducing the published sections and articles, describing and interpreting the main themes mentioned in each text, it has been criticized and evaluated. The findings of this critical study indicate that the unity of existence and the existence of common and hidden beliefs in all works show a semantic continuity and dependence on a single origin. The publication of the book "Theoretical Foundations" in order to introduce the characteristics and moral, value and mystical views of Islamic art is a useful step that has been made available to researchers, students and enthusiasts in this field today as a valid and reliable source.
Art
Mehran Houshiar
Abstract
Content critique of scientific texts and structural analysis of available resources in the field of humanities is as complex as the main nature of this concept. This factor, along with unfamiliarity with the basics of critique and the culture of critically in society, has made the critique of published ...
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Content critique of scientific texts and structural analysis of available resources in the field of humanities is as complex as the main nature of this concept. This factor, along with unfamiliarity with the basics of critique and the culture of critically in society, has made the critique of published books and texts of philosophy of art and theoretical foundations less done and not accepted. However, criticism in all its structures and types is the most important and effective method for the growth and promotion of human knowledge and today in the most prestigious scientific, academic, and research circles in the world and developed countries to the extent that criticism and its principles are considered maybe they don't care about producing new sciences. The book “Interaction of Language and Art”, which is the result of symposiums of a number of experts in the field of culture, art, literature, and philosophy of the country, was published in 2000 by the Research Institute of Islamic Culture and Art. The book is available to readers with thematic content in the fields of art, literature, and architecture, including fourteen articles. In this article, while introducing the book, reviewing the motivation for holding this symposium and its content structure, an attempt is made to take a critical look at the thematic content of each article.
